limited hangout: in the field
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limited hangout: in the field [jul 2018 - ]
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Limited Hangout: In the Field ​(GreyWing/Breaking Waves/Gerygone).
A series of 6 site-specific performances responding to the sonic/physical environment of their chosen locale. 6 composers are challenged to create sounds interacting with particular environments using tools such as acoustic measurement and analysis, topographical mapping, physical structures and weather conditions of specific spaces and times.
The audience for each performance is limited to 30. The date/time and composer/coordination team for each event will be public, but the precise location will only be shared a week in advance of the performance.
Sage Pbbbt
​Narrows / Expands / Elides[2018] ​
​29 Jul 2018 5pm
​Lindsay Vickery
​njookenbooro [2018]
​2 Sep 2018 8pm
Olivia Davies
Tunnel Music 
​[2018]
​30 
Sep 2018 5pm
Josten Myburgh
Shaking small tambourines like afterthoughts[2018] 
​
Oct 28 2018 2pm 
Pippin Kenworthy
Cyclic Chaos [2010/19]
19 May 2019

FUTURE EVENTS
Vanessa Tomlinson Friday 19 July 2019  5:00-5:30pm 
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limited hangout: in the field
sample artworks, scores and sketches (Pippin Kenworthy, Josten Myburgh, Sage Pbbbt, Lindsay Vickery)
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The composer/coordinators.
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Olivia Davies  

Olivia Davies is a Perth based composer whose works involve classical, experimental and electro-acoustic approaches to composition and are often textural and ambient in nature. She has participated in TURA’s Totally Huge New Musical Festival (2015 & 2017) and more recently, was one of six emerging composers commissioned for the latest Hush Foundation album Hush 18 - her piece Crystalline for string orchestra will be premiered late 2018 in Sydney and Melbourne by the Australian Chamber Orchestra/ACO Collective.
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www.oliviabettinadavies.com/

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Vanessa Tomlinson

Vanessa is a percussive artist dedicated to exploring how sound shapes our lives, awakening our ears to new sounds, in new spaces, with the hope that attentive listening will lead to attentive custodianship of place. With a long history in experimental music, she uses this body of knowledge to consider how we listen through site-specific explorations, and to explore new collaborative sonic ideas. Trained as a percussionist in Australia, Germany and the USA, She  relies on this sonic investigation of objects to build compositions, create contexts for improvisation, interpret the voices of other composers and collaborate across art-forms and disciplines. 
www.vanessatomlinson.com​

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Pippin Kenworthy ​

Pippin Kenworthy is a talented composer, guitarist, producer and sound engineer from Perth, Australia. His music does not fit easily into a single style or genre. His innovation and willingness to break the rules is built on a firm grounding  both classical and avant-garde music. There is no area of music Pippin is not willing to investigate; no style of composition he is not ready to engage with and extend.
pippinkenworthy.com​

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Josten Myburgh

Josten is a  musician based in Perth, active in experimental and new music spaces. He is part of running the label Tone List, which represents some exploratory music activities in Perth through releasing records and organising concerts. He also work for Tura New Music as a curator of their 'grassroots' concert and workshop programs, centred around experimental chamber music and free improvisation. 
www.jostenmyburgh.com

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Sage Pbbbt 

Sage's singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and an ongoing exploration of extra-normal vocal technique. She also takes influence from industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism. 

http://sagepbbbt.com

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Lindsay Vickery

Lindsay Vickery has been active as a composer and performer across Europe, the USA and Asia since 1986. His music includes works for acoustic and electronic instruments in interactive-electronic, improvised or fully notated settings, ranging from solo pieces to opera and has been commissioned by numerous groups for concert, dance and theatre. He was a founding member of Alea New Music Ensemble, Magnetic Pig, SQUINT, HEDKIKR (2002-)  Decibel (2009-) and GreyWing (2016-)
www.lindsayvickery.com
How to participate
There are two ways to participate:
1. You can be a Limited Hangout Patron separately for each event here;
Buy Tickets
2. You can become an Unlimited Hangout Patron which will entitle you to receive entry to all 5 events and any ad hoc events during 2018; recordings of all events; maps; program notes; project analyses and digital bundles of artworks and composer sketches associated with each event; and the Limited Hangout book published at the conclusion of the series. Sign up to be an Unlimited Hangout Patron here:
PatrEon Subscriptions
How to attend
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You will receive directions for car and public transport to an assembly point and time, via email in the week prior to the event. You will be met at the assembly point by a guide who will direct you to the event site. In the case of inclement weather the performance date will be rescheduled. 
Limited Hangout book
On completion of the project, all maps, program notes, articles, project analyses and digital bundles of artworks and composer sketches will be published as a book along with recordings of the events.
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Here's one we prepared earlier...
above: recording of Chaz Underriner’s Nocturne 4 Herdsmans Lake 930PM, 11 November 2017.
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right: sound source and microphone arrangement for Chaz Underriner's Nocturne 4 [2012] recording.

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